The past week was a storm — the kind you welcome when you’re chasing something bigger than routine.
At the center of it all: Blade Path, the debut music video from my project ARCTECHSOUN. Inspired by Cushy’s track Blade Running, the sound immediately planted a visual in my head — a collision of Japanese tradition and futuristic chaos. I knew this one was more than just audio. It was a story.
As always, it started with emotion. If a track echoes in your mind when it’s not playing, it’s asking to be built into something larger. So I storyboarded key scenes in text, let others evolve naturally, and stayed flexible to keep momentum. The final result is something layered — abstract yet grounded. Everyone who watches it sees something different. That’s the point.
Technically, we used a blend of traditional tools — Premiere, After Effects — and AI-powered visuals from Kling 2.1 and Runway LM. Funny enough, Kling 2.1 dropped mid-production, which gave the visuals an unexpected boost and helped us push boundaries even further. There’s still so much to learn, but this project made one thing clear: this fusion of human vision and machine tools has incredible potential.
Studio in Motion
Logo Section
Some of the tools at our disposal
Stock Images Page
Landing Page
While editing Blade Path, we also launched SauloStudio.com. That meant balancing video production, music development, and designing a fully custom portfolio site all at once — and somehow, we pulled it off.
This site reflects everything Saulo Studio stands for: a full-spectrum creative agency rooted in intentional design and bold execution. We don’t just offer services — we offer vision. And that means living up to our own high standards. Everything from the layout to the red accents, the background motion, and the tone of voice was crafted to feel unique, modern, and inviting. Photography sections have subtle camera motion. The video page feels like a dark editing suite. Each area breathes the medium it represents.
Launching the site was a proud moment. It felt like arriving home — a place we built ourselves, with work to back it up. And now that it’s live, we’re only getting started. More content. More media. More polish. Always more.
Behind the Madness
My days are full, but they’re structured with care.
I start early — around 3:45 AM — and get to work before the world even wakes. That focus window is golden. I work until around 2 PM, take care of personal stuff, and then shift into dev work with Emagio Studios. My schedule isn’t rigid, but it’s committed. I work smart, stay flexible, and never take on more than I can handle. That’s the key to scaling without burning out.
I start early — around 3:45 AM — and get to work before the world even wakes. That focus window is golden. I work until around 2 PM, take care of personal stuff, and then shift into dev work with Emagio Studios. My schedule isn’t rigid, but it’s committed. I work smart, stay flexible, and never take on more than I can handle. That’s the key to scaling without burning out.
I’m not doing this alone, either. I lean on a strong network — friends, collaborators, and years of experience. Tech helps us move faster, but craft still matters. Whether it’s music, design, games, or photo work, I lock in based on flow and deadlines. Each project gets its time in the spotlight. That’s how we keep the quality high and the vision clear.
The love for story is what drives it all — from books to movies to games, that’s where I find my creative fuel. And the more I immerse in that mindset, the more I see how interconnected these mediums are.
What’s Next
A major visual reveal for Emagio Studios
New music video production
Continuing to evolve the Saulo Studio website
3D work integration (already teased in our Emagio video)
More Submissions to Adobe Stock
Building relationships, and opening the studio to new collaborations
We’re our own biggest client right now — and we wouldn’t have it any other way. As Alex Hormozi says:
“The best way to prove who you are is to have a mountain of undeniable work.”
That’s the mission.